Picture this. A novella about two sisters: Sis and Amy. One of them alive, one of them dead. The living one muscular and feisty. The dead one reincarnated… as a chainsaw. Together they set off to get their revenge on Amy’s killers. Cue rampage, gore, mayhem. And, in case you missed it, a talking chainsaw.
With the library still closed I continue to read whatever books people throw at me. This week I’ve swapped my usual fiction for a true story: Hallie Rubenhold’s The Five. Its subtitle – The Untold Lives of the Women Killed by Jack the Ripper – tells one exactly what to expect: a story that has been told many times before and yet hasn’t. As Rubenhold rightly points out, the Ripper’s victims are often solely defined through their brief and fatal relation to their still unidentified killer. The Five aims to set this inaccuracy right and tell the untold stories of the victims’ lives rather than their deaths.
With the world still in peril and the library still shut, I’ve recently found myself reconsidering my own book shelves. I only own a handful of books, mostly because my voracious reading habit would otherwise become rather space-consuming and expensive, and I rarely reread books anyway. But since I don’t like to read from screens, which means ebooks are out, and no imminent end to the current lockdown seems likely, it looks like I’ll need to reconsider my principles.
Call Me By Your Name (2017) has been on my to-see-list ever since I failed to go and see it in the cinema when it was released. One of the reasons why I kept putting it off was the fact that the film is adapted from a novel. I’m biased, for I really like books, but I find that film adaptations rarely match up to the novels they are based on. But the trailer looked interesting, I’d been assured by several people that the film was worth watching, and with nothing better to do I decided to give it a go.
Many institutions and individual enthusiasts have started to share culture online, or had already started to do so long before we had even heard of Covid-19. If you’ve had enough Netflix to last you a lifetime and the thought of a jigsaw puzzle makes you cringe, here are a few places you can access from home to open your mind.
On day two of an almost complete lockdown, with nothing to do and nowhere to go apart from my NHS job, I’m feeling a need to write about literary escapism. My local library shut down indefinitely last Saturday, and although I’ve managed to get a stash of books that’ll last me a few weeks, I’m already missing my trips to pick up new ones. It’s all temporary, of course, and all for a good cause, but I’m probably not the only one for whom life feels rather odd and claustrophobic at the moment.
I love The Lighthouse. It’s been a while since I was this impressed by a film, or a book, or any work of art. Go and see it if you can, but go easy on the booze. And be nice to seagulls. You’ll find out why soon enough.
@OutpostTheFilm: A Review
For me, Outpost is not really about technology and the great big lights in the sky, but about the place of humanity in relation to them. A theme that should speak to anyone, regardless of your tastes…
Set in Seoul and packed with supreme ultraviolence, this novella about a secret vampire organization packs a real punch. Vampires.… Read more Butchers by Todd Sullivan: A Review
“The truth is stranger than fiction” is a somewhat tired cliché. But in case of Susan Faludi’s book In the Darkroom it is the best possible description of its content.